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Drake has emerged not only as a chart-topping artist but also as a master of psychological warfare, particularly in his recent exchanges with producer Metro Boomin. Following the release of his diss track "Push Ups," Drake's impatience for a response led him to employ a series of trolling tactics reminiscent of the notorious 50 Cent, known for his relentless and often humorous social media antics.
Drake's strategy unfolded in a multi-layered campaign, beginning with a deepfake video that playfully inserted Metro Boomin's face onto Nick Cannon's character from "Drumline." This visual jest was a direct reference to a line from "Push Ups," where Drake commands Metro to focus on his craft: "Metro, shut yo ho-a** up and make some drums." The trolling escalated as Drake shared footage of a drumline performing outside Magic City, a nod to the deepfake and a suggestion that he orchestrated the event, further blurring the lines between online banter and real-life spectacle.
The crescendo of Drake's trolling symphony was a mariachi rendition of the same line from "Push Ups," posted on his Instagram story. The cultural twist added a new dimension to the jest, showcasing Drake's creativity and his ability to adapt his message across different musical genres, all while keeping Metro Boomin as the punchline.
This playful yet calculated approach underscores Drake's dominance not just in music but in the art of the feud. Unlike Metro Boomin, who is a producer and not a rapper, Drake leverages his lyrical skill to engage in battles that extend beyond the recording studio. Metro, caught in the crossfire of giants, finds himself at a disadvantage, unable to respond in kind with bars of his own.
Drake's antics draw parallels to 50 Cent's legendary trolling, which often includes public call-outs and elaborate pranks. Both artists use humor and public perception as weapons, turning their feuds into entertainment for the masses. In doing so, Drake maintains the upper hand, keeping the spotlight firmly on himself and controlling the narrative.