MOVIES

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In one of the more surreal twists in wildlife management, the U.S. Department of Agriculture is now using audio from Noah Baumbach’s 2019 film Marriage Story—specifically, the emotionally raw fight between Scarlett Johansson and Adam Driver—as a tool to scare off wolves. According to a report by The Wall Street Journal, the USDA has deployed drones equipped with thermal cameras and loudspeakers to patrol areas like the Klamath Basin in southern Oregon, where livestock have been under increasing threat from gray wolves.

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Lily James is diving into deep waters — literally — as she joins Chris Hemsworth in Subversion, the upcoming submarine action-thriller from Amazon MGM Studios.

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The global box office is roaring this summer, with Universal’s “Jurassic World Rebirth” leading the pack by smashing past the $750 million milestone. After just five weekends, the rebooted dinosaur epic has amassed a thunderous $766 million worldwide, riding high on strong international appeal.

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More than 35 filmmakers associated with the acclaimed arthouse streaming platform Mubi — including notable names like Radu Jude, Aki Kaurismäki, Miguel Gomes, and Joshua Oppenheimer — have signed a powerful open letter urging the company to reconsider and publicly condemn its financial ties to Sequoia Capital, a venture capital firm with deep links to Israeli military technology.

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The San Sebastian International Film Festival has unveiled a high-profile wave of new titles for its 73^rd edition, running from September 19 to 27 in northern Spain. Among the standout additions to the official competition lineup are Couture, a fashion world drama starring Angelina Jolie, and Franz, a Franz Kafka biopic directed by acclaimed Polish filmmaker Agnieszka Holland.

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More than 20 years after the original Freaky Friday became a global sensation, Lindsay Lohan and Jamie Lee Curtis reunite in Freakier Friday, a sequel that reflects on motherhood, family, and the chaos of life from a fresh, more mature perspective.

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In a cavernous soundstage filled with ice blocks, severed limbs, and flayed cadavers, Guillermo del Toro is crafting the movie of his life: Frankenstein. After 30 years of filmmaking, the 60-year-old director finally brings to screen his operatic, deeply personal version of Mary Shelley’s 1818 novel—a story not just of science gone awry, but of broken families, abandoned children, and the eternal question: Why am I here?