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A new era of chills and thrills is on the way for fans of R.L. Stine. The beloved master of children’s horror, best known for his Goosebumps and Fear Street series, is set to see his latest work, Stinetinglers, brought to life as an animated series. The adaptation will be produced by Limestone Animation, a brand-new animation and digital studio based in Ontario, Canada.

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The devil truly wore Dolce & Gabbana on Saturday when Meryl Streep stepped into character once again as Miranda Priestly for the highly anticipated sequel to The Devil Wears Prada. Streep took a front-row seat at the designing duo's Milan theater, turning heads in Priestly's signature sunglasses and a Dolce & Gabbana vinyl trench coat, with Stanley Tucci by her side.

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The Shelby family saga is far from over. Netflix and the BBC have confirmed that Peaky Blinders will return in the form of a sequel series, following the upcoming feature film Peaky Blinders: The Immortal Man.

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Prime Video has unveiled first-look images for The Mighty Nein, the upcoming animated series from Critical Role and Titmouse. Based on the second campaign of the global phenomenon Critical Role, the show follows a ragtag group of fugitives and outcasts who must put aside their differences when an arcane relic known as The Beacon falls into the wrong hands. Their quest to protect it quickly escalates into a battle to save not just the realm, but reality itself.

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J.K. Rowling is clarifying her current feelings toward the Harry Potter cast after openly criticizing Emma Watson's recent comments.

The author, 60, posted on X on Monday, September 29, responding to Watson's remarks on a podcast. Watson, 35, said that although they differ on transgender rights, she can still feel love and gratitude toward Rowling and acknowledge their shared history.

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Warner Bros. Is betting big this weekend with Paul Thomas Anderson’s latest epic, One Battle After Another. The $140 million film, starring Leonardo DiCaprio, is eyeing a $20–25 million domestic debut and another $25 million overseas, giving it the potential to hit a $50 million worldwide launch. Even on the lower end, the opening would represent Anderson’s strongest box office start ever, a remarkable shift for the filmmaker who has typically seen his work platform over time. To date, Anderson’s top U.S. weekend was 2009’s There Will Be Blood, which peaked at $4.8 million in its fifth week of release.

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